Sculptors As Storytellers

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I always thought that sculptures were more like snapshots, but I learned, after exploring the Rodin exhibit at the Art Institute of Chicago, these art works can embody stories.

On one wall is a quote from Robert Louis Stevenson, who claimed that people were weary, in 1886, of “statutes that say nothing” and that Auguste Rodin offered statutes “that live and speak, and speak things worth uttering,” which was clearly evident in this exhibit. These selections by the AIC from its own and private collections showed me how sculpture can, in the serpentine twists, for example, of Eve’s body, evoke and create context. In so doing, it can situate these artworks in the world of storytelling and other forms of meaning-making.  Continue reading “Sculptors As Storytellers”

Not My Mother

Some critics are trying to imbue mother! with significance, but these critics seem to disagree on what this significance is.

Mother! is the new movie written and directed by Darren Aronofsky, who also directed The Wrestler (2008) and Black Swan (2010). In his latest movie, a blocked poet (Javier Bardem) and his unnamed wife (Jennifer Lawrence) live in his home that she has been restoring after a destructive fire. A dying doctor (Ed Harris) and later his wife (Michelle Pfeiffer) and their sons appear, and their fight over a revised will is the beginning of a narrative disintegration that is inexplicably, and unsatisfyingly, explained in the final scenes.

Continue reading “Not My Mother”

Stories to Live By

studiesI admit that, as the summer started, I had seen the three biggest box office movies although I thought all, as films, were flops.

That surprised me given that review aggregation sites suggested average or better evaluations of each. Although each had a lower rating if the sample was limited to the more credible critics, the worst movie, even if only using these these critics, had a 4 in 10 average rating.  Continue reading “Stories to Live By”