On one wall is a quote from Robert Louis Stevenson, who claimed that people were weary, in 1886, of “statutes that say nothing” and that Auguste Rodin offered statutes “that live and speak, and speak things worth uttering,” which was clearly evident in this exhibit. These selections by the AIC from its own and private collections showed me how sculpture can, in the serpentine twists, for example, of Eve’s body, evoke and create context. In so doing, it can situate these artworks in the world of storytelling and other forms of meaning-making. Continue reading “Sculptors As Storytellers”
I had been wanting to see Edward Hopper’s Nighthawks (1942) for some time when I finally stopped at the Art Institute of Chicago. I made my way to the back and then up the stairs where I found this painting. I stood before it, gazing and wondering, intrigued by the missing doorways and interpersonal spaces, as well as the setting, colors, and light. Once I had my fill, I left the gallery and wandered toward the stairs when my eye snagged on another painting. Continue reading “Obvious”
Mother! is the new movie written and directed by Darren Aronofsky, who also directed The Wrestler (2008) and Black Swan (2010). In his latest movie, a blocked poet (Javier Bardem) and his unnamed wife (Jennifer Lawrence) live in his home that she has been restoring after a destructive fire. A dying doctor (Ed Harris) and later his wife (Michelle Pfeiffer) and their sons appear, and their fight over a revised will is the beginning of a narrative disintegration that is inexplicably, and unsatisfyingly, explained in the final scenes.